Simply select from a list of common target loudness presets and let Studio One set the values for you. The new Loudness options in the Digital Release window of the Project Page let you set target values for loudness and true peak during export. The Digital Release window on the Project Page now features a list of available audio formats which can be exported in a single pass - without even requiring additional rendering time! Each format remembers its own export settings, so you can export your mastered album in highresolution, 24-bit/96kHz WAV and AAC for streaming at the same time! Multiple format export for Digital Release This lets you reduce the computer processing power required of your session without committing to a mastering decision permanently. Track Transform lets you create rendered files of your mastered track, with every insert effect and automation parameter printed into the file - reversibly and non-destructively. Track Transform is now available on the Project Page as well as the Song Page. This way, you can use popular room correction plug-ins such as Sonarworks Reference or headphone monitoring tools such as Waves Abbey Road Studio while mastering or mixing. The Listen Bus is now available on the Project Page, allowing you to monitor through a separate output with separate effects while keeping the Master output unaffected. Clip Gain Envelopes are sample-accurate, so they can be used to fix everything from entire voiceover takes to single clicks and pops. Add breakpoints to the Gain Envelope simply by clicking on the curve and dragging the point to your desired location.Ĭhanges to the clip gain are instantly reflected in the audio waveform so you have a reliable visual display of the overall level.
Clip Gain Envelopes are the perfect tool for correcting sections of audio that are either too loud or too soft without adding a Compressor or Limiter plugin. Automation is available for individual track and master volume, as well as any track insert effects plug-in or plug-ins on the Master bus.Ĭlip Gain Envelopes are now available on the Project page so you can precisely fix gain issues while mastering without using dynamics plug-ins. Adding an automation lane for a specific plug-in parameter is a two-click operation. Once created, automation data can be modified in different ways, including via the useful bracket tool, transform tool, or by editing the shape of automation lines and curves directly with the Arrow tool. Apply volume automation to your liking implement some gentle compression over time to bring some lift to your choruses or dynamically tweak your tracks' stereo width for a consistent stereo imaging across your entire album. This new feature lets you automate track and master volume, as well as any Plug-in parameter, either in real-time using your mouse or hardware controller, or by using the familiar tools, including the powerful Paint Tool with its eight different modes. Studio One 5.5 introduces the #1 feature request for the Project Page: Automation is here! With Version 5, Studio One now supports recording in 64-bit floating-point WAV format, the recommended recording format for audio interfaces with 32-bit converters. Recording and playback in 64-bit float WAV format.A new channel type that allows any external instruments and audio sources to be fed into Studio One’s mixer without the need to create an audio track that clutters your session.
The newly-added Clip Gain Envelope is the perfect tool for correcting sections of audio that are either too loud or too soft, without adding a compressor or limiter plug-in. Key switches are now filtered and excluded from any type of playback processing, and Studio One now supports Note Controllers and MIDI Polyphonic Expression
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Use the free Studio One Remote app for iPad ® and Android™ tablets to remotely control Studio One while you’re away from your computer. Use third-party plug-ins, virtual instruments, and ReWire-enabled applications.
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